I don’t often do movies reviews, partly because I rarely watch recent films. I haven’t been to the theaters to see a movie since Avengers: Endgame (2019). But per the Critical Drinker’s recommendation, I borrowed the 2024 film One Life, and amid a snowstorm I enjoyed a cozy night in with a wonderful film (and some tears).
I was not going to give a premise of the plot (those are dull to write, duller to read, and you can find one elsewhere), nor a synopsis with spoilers. But if you’re like me, you don’t want to look one up since they tell too much. So if you have seen it already, skip this paragraph to get to my critique. If you want a brief premise, read on. The film takes place in the 1980s, but goes back and forth between the present and the late 1930s, following Nickolas “Nicky” Winton, an elderly Englishman who during the outbreak of WWII worked to help child refugees in Prague. The story begins with him in the present, but often reminiscing of the past, and looking through his old scrapbook at pictures of the children. Early in the film it cuts back to 1938, when he travelled to Prague just after Hilter’s invasion of Czechoslovakia (Sudetenland), and then follows his motivations, trials, and endeavors then and now.
Per my usual breakdown of writing (including plot, story structure, etc.), characters, and themes, here follow my thoughts on the film.
Continue reading “Ordinary Architects of Fate: A review of “One Life” (2024)”